Lotus Blue Flower respects the artistic beauty of "Lian"

China is a country with porcelain as a treasure. Porcelain was once a symbol of the country in the history of China. Blue and white porcelain as a bright pearl in Chinese porcelain, it spreads widely, the evaluation of high, the impact of large, reach any other porcelain can not reach the height. The blue-and-white porcelain features fresh, bright, bright and unique features. It also features character stories as the most decorative theme, creating a new visual field for blue and white porcelain. The blue pattern contrasts with the white carcass. It is like a beautiful ink painting and it always impresses people.

The blue pattern is colorful and colorful. The blue and white lotus pattern is a unique blue pattern decoration, also called "a bouquet of lotus". The lotus pattern refers to the drawing of a bouquet of lotus, lotus and lotus leaves tied with a ribbon on a blue and white porcelain. This ornamentation first appeared in the kiln of Yaozhou in the Northern Song Dynasty, and has since been commonly used in various types of blue and white porcelain. There are "lots of lotus" placed in the water waves, "two lotuses" in a staggered symmetry, "three lotuses" and "sanlian" in the three-point world.

In ancient times, there was the sentence of “The Book of Songs, Zheng Feng”, “Yin has lotus flowers,” and “The poetry of Heze has Po Youhe”. The human's love and praise for lotus is firstly derived from its high food value. Its roots and seeds are edible and have high nutritional value. Its flowers, leaves, stems, roots and seeds all have medicinal value; It has a very high ornamental value. Its scent is elegant, its flower shape is beautiful, its flower posture is beautiful and graceful, its leaves are wide and free and easy, its stems are slim, and its people are relaxed and happy. The most fundamental reason why Lotus is loved by the Chinese people is that it is full of the cultural spirit of China. The Northern Song Dynasty poet Zhou Dunyi's "Eilean" said: "The mud will not stain, but will not clear the dragonfly." Become the eternal singer of the lotus character. Lotus has become one of the ideal standards of the aesthetics of the Chinese nation, and is often a symbol of personality. It has always been respected and admired by people and has become an eternal theme of literature and art.

Lotus is a traditional decoration theme in China. It has begun to show its prominence in the bronze decoration of the late Western Zhou Dynasty. Lotus petals are commonly used as decorations in bronze and pottery in the Spring and Autumn Period. However, the lotus patterns on Chinese porcelain were developed under the influence of Buddhist art. From the beginning of the Eastern Jin Dynasty to the peak period of the Southern and Northern Dynasties, the lotus pattern was rich in religious color. The enormous assimilation force of the Tang Dynasty and the Chinese nation has blended the essence of foreign art into the traditional art of the nation. The lotus pattern on porcelain has entered a period of maturity. In the Song, Liao and Jin Dynasties, China’s ceramic art has made great progress, and the theme of its decoration has become increasingly rich. With the sudden emergence of peony flowers, lotus lines that have been dominant in the decorative field have entered a period of shrinkage. After the Yuan and Ming Dynasties, the entangled lotus leaf pattern was prosperous as a stereotyped decorative theme. After the mid-long period of the Qianlong period, the ceramics industry was declining day by day, and the lotus pattern had no place in artistic innovation. However, it was still popular as a popular traditional theme. After the founding of the People's Republic of China, the lotus pattern, which was advocated by the Chinese nation and had traditional strength, was revived. With the prosperity of the new China ceramic industry, the lotus pattern that has been popular for thousands of years will inevitably develop continuously in inheritance and innovation, and will never die.

In addition, the blue-and-white lotus flower pattern gives people a feeling of harmony. The blue-and-white lotus flower pattern is a kind of classless color and ornamentation. It has been widely loved from the court to the people, from China to foreign countries, and from ancient times to modern times. The royal family and literati doctors think that they are dignified, elegant, Zhongzheng, peaceful, quiet and introspective. Many characters meet the requirements of the royal family for officials; ordinary people like their refreshing, elegant, pleasing, natural, and auspicious. A piece of blue-and-white lotus flower wrapped in porcelain is not a luxury in the palace. It does not appear to be desolate in the homes of the people. It does not appear to be vulgar in the merchants’ home. It does not appear remote in the temple. Its peace and tolerance are like an invisible one. The power will lead everyone’s thoughts to beauty.

In addition, in traditional Chinese Confucian culture, lotus is the embodiment of truth, goodness, beauty, perfection, and unity. At the same time, it is a symbol of the Buddha and symbolizes the spiritual sublimation and ideal perfection. When Confucian culture and Buddhism are combined, Lotus is in the hearts of Chinese people. Perfect. It contains all the good wishes and blessings of the Chinese people. Slowly under the collective unconsciousness, the Chinese people's love for lotus has penetrated into the bone marrow and melted into the bloodstream.

【Edit: TJ026】

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